Note: This is another post where I don’t mention webcomics, but talk about a movie; but at least, it’s a movie based on a graphic novel: Kingsman.
Of course, I’m not writing a review in the classical sense. If the word praise doesn’t betray my reluctance to highlight flaws and problems, and the word provocative doesn’t betray my unwillingness to restrain myself from deriving lessons about storytelling in general rather than focusing on the item under review, then the word scrutinizing should make it clear that I will discuss the movie in depth without regard to spoilers, and with the expectation that the reader has watched the movie to know what I’m talking about.
Anyway, I went to see the movie last Friday, expecting it, informed by the trailer, to be dramatic, violent, actionesque (I just made that word up, I believe), irreverent, and amusing. Without doubt, it is all of this.
I was skeptical, however, about the claim that it is more badass than Bond. In my humble opinion, it really delivers on that promise.
I didn’t expect it to become an object of my most diligent scrutiny. Turns out, it is an example for superb storytelling.
All of this doesn’t mean that Kingsman is indisputably an exceptionally good movie, or in fact better than Bond. What superb storytelling really means that the story as given was carefully constructed and very well executed, and everybody involved did a great job.
In other words, I don’t claim that it is an extremely good story. What I’m trying to convey here is that the story, whatever its merit, was told exceptionally well.
Now, you could certainly argue that the fight choreography (and maybe even some dialog) was artificial, the violence gratuitous, and villain’s plan overblown, and the whole premise unrealistic. Just like you could argue that Swan Lake is artificial, Hamlet is full of gratuitous violence, the world-building of The Pirates Of either Penceance or The Caribbean is overblown, and Mozart was an idiot because it is totally unrealistic that a man would start singing a duet with his rival who just pronounced the supposed infidelity of his lover.
I seek to understand any story on its own terms, within the form it’s been molded in, and to look for cohesion, for internal consistency, rather than chasing after the flimsiness of realism or verisimilitude. Let’s see what we will find out.
As always, you are invited to chime in with your thoughts on the matter in the comments.
But since the most important issues cannot be discussed without MAJOR SPOILERS, you may want to go see the movie first, or steel yourself to bear them with composure, before you continue … (Also, make sure you are okay with a candid discussion of violence in fiction, because …)